Eunha Chang
Curator and Contemporary Art Historian
Based in NY and Seoul
Eunha Chang is a curator and Fulbright Scholar/PhD student in Art History at Binghamton University. Her doctoral project focuses on contemporary painting and sculpture from the 2010s to the present. Her interests include post-digital or AI-mediated conditions, and their implications in contemporary art, feminist/queer theory, and intermediality between image and text.
She has curated exhibitions at the Seoul Museum of Art (SeMA), de Appel (Amsterdam), National Asia Culture Center (Gwangju), Seoul Art Space PS333, and elsewhere, including The Internet Barnacles (G Gallery, Seoul, 2025), Sad Captions (Seoul Museum of Art, Bunker, 2024), and Squish! In the Forest (Insa Art Space, Seoul, 2024). Her practice is also grounded in transnational curatorial exchange. She curated Autophagy (de Appel & Beautiful Soup, Amsterdam, 2022–23), a joint program between DutchCulture and Arts Council Korea, and Convening the Untitleds (Seoul Museum of Art, 2023–24), alongside Queensland Art Gallery | Gallery of Modern Art and Singapore Art Museum. She was selected as an Emerging Curator by the Seoul Museum of Art and as a Visual Art Young Professional by the Korea Foundation for International Cultural Exchange, and worked as an artist nominator for The 2026 Sovereign Asian Art Prize.
Her projects have been supported by the Arts Council Korea, Rockefeller Archive Center, Fulbright graduate scholarship, Seoul Foundation for Arts and Culture, Korea Foundation for International Cultural Exchange, among others. She has worked at the Seoul Museum of Art (SeMA), the National Museum of Modern and Contemporary Art (MMCA), Seoul, and the Istanbul Biennial.
Eunha Chang holds an M.A. in Contemporary Art Theory (Distinction) from Goldsmiths, University of London, and a B.A. in Art Studies from Hongik University, Seoul, and is co-founder of curatorial collective, Post-sexual Futures.
2024 ⓒ Eunha Chang