Eunha Chang
Curator, Writer, and Art Historian
Based in NY and Seoul
Eunha Chang is a curator, Fulbright Scholar, and PhD student in art history at Binghamton University whose academic interests are at the intersection of contemporary art, technology, and theory. Chang holds an MA in Contemporary Art Theory from Goldsmiths, University of London, where she graduated with distinction. Chang navigates the interstices of analog and digital, embodied and mediated, and visuality and textuality, making exhibitions and writings that linger in the in-between.
Her exhibitions include Yehwan Song: The Internet Barnacles (2025, G Gallery, Seoul); Sad Captions: Everything Has Been Washed Away; I Can Only Write 'Sad'… (2024, SeMA, Seoul); Convening the Untitleds (2023–2024, SeMA, Seoul); Autophagy: Eating in Its Destructive and Creative Nature (2022–2023, de Appel & Beautiful Soup, Amsterdam); Invasive Species Behind the Notoriety: Multi-directional Narratives for Abundant Futures (2021, National Asia Culture Center, Gwangju); and Portals, Teleportation (2021, Ankara House & Büyükdere35 Art Gallery, Seoul and Istanbul), among others. They were supported by Arts Council Korea (ARKO), DutchCulture, the Seoul Museum of Art (SeMA), and the Korea Foundation for International Cultural Exchange (KOFICE), among others.
She has also contributed to exhibitions including Scoring the Words (2022, SeMA, Seoul); The Part in the Story Where Our Accumulating Dust Becomes a Mountain (2023–2024, SeMA, Seoul); Asia Project: Looking for Another Family (2020, MMCA, Seoul); Pandemic Catastrophes and Cure (2021, MMCA, Seoul); and Paik Nam June Effect (2022, MMCA, Seoul), and worked on the Istanbul Biennial The Seventh Continent (2019, Istanbul Foundation for Culture and Arts, Istanbul).
2024 ⓒ Eunha Chang