Eunha Chang
Curator, Writer, and Art Historian
Based in NY and Seoul
Eunha Chang is a curator, writer, and art historian. Currently a Fulbright Scholar and PhD student in Art History at Binghamton University, her research spans contemporary art, technology and their theories. Chang holds an MA in Contemporary Art Theory from Goldsmiths, University of London, where she graduated with distinction. Her projects have been supported by Arts Council Korea (ARKO), DutchCulture, the Seoul Museum of Art (SeMA) and the Korea Foundation for International Cultural Exchange (KOFICE), among others.
Her exhibitions include Yehwan Song: The Internet Barnacles (2025, G Gallery, Seoul); Sad Captions: Everything Has Been Washed Away; I Can Only Write ‘Sad’… (2024, SeMA Seoul); Convening the Untitleds (2023–2024, SeMA, Seoul); Autophagy: Eating in Its Destructive and Creative Nature (2022–2023, de Appel & Beautiful Soup, Amsterdam); Invasive Species Behind the Notoriety: Multi-directional Narratives for Abundant Futures (2021, National Asia Culture Center, Gwangju); and Portals, Teleportation (2021, Ankara House & Büyükdere35 Art Gallery, Seoul and Istanbul) among many.
She has also contributed to exhibitions including Scoring the Words (2022, SeMA, Seoul); The Part In the Story Where Our Accumulating Dust Becomes A Mountain (2023–2024, SeMA, Seoul); Asia Project: Looking for Another Family (2020, MMCA, Seoul); Pandemic Catastrophes and Cure (2021, MMCA, Seoul); Paik Nam June Effect (2022, MMCA, Seoul), and worked for Istanbul Biennial The Seventh Continent (2019, Istanbul Foundation for Culture and Arts, Istanbul).
2024 ⓒ Eunha Chang