Invasive Species Behind the Notoriety: Multi-directional Narratives for Abundant Futures

Eunha Chang, Invasive Species Behind the Notoriety: Multi-directional Narratives for Abundant Futures, 2021, mixed media, dimensions variable.
November 24, 2021 – December 5, 2021
Asia Culture Center, Gwangju
Artists: Chang En-Man, Eunha Chang
Curated by Eunha Chang
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This research-based curatorial project examines the historical trajectories of invasive species introduced to Asia as food commodities before and after World War II, including two video artworks by Chang En-Man. The study focuses on two cases: the American bullfrog (introduced to Korea in the 1970s) and the Giant African Land Snail (Achatina fulica, introduced to Taiwan in the 1930s). This comparative research investigates the ecological politics, moral implications, and sovereignty discourses surrounding non-human species reduced to food commodities. Through dialogue with Myungae Choi's Rewilding: Experiments for Nature Conservation in the Anthropocene at the KAIST Anthropocene Center, the study critically examines temporal dimensions within invasive species histories, questioning the constructed temporality that determines species as 'invasive' or 'native.'







Eunha Chang, Lecture by Professor Maxwell’s Demon, 2021, text, single-channel video, colour, sound, 11min 7sec
Eunha Chang, Maxwell’s Demon(s) – Asexual Reproduction, 2021, hologram fan, single-channel digital video, colour

Chang En-Man, 414km, Highway No. 9, single-channel video, colour, sound, 24min 36sec
Chang En-Man, Turn East onto Road 68-1 at 423km, Highway No. 9, single-channel video, colour, sound, 21min 53sec

These videos were selected by Eunha Chang as part of Invasive Species Behind the Notoriety.


Video Documentation
 

Installation Views
Lecture & Interview Documentation