Eunha Chang
Based in NY and SeoulEunha Chang (장은하 ) is a curator, writer, and PhD student in Art History at Binghamton University. Her current research examines painting and sculpture under post-digital and AI-mediated conditions since the 1980s, with broader interests in media theory, intermediality between image and text, curatorial discourse, and art criticism.
Chang previously worked at the Seoul Museum of Art (SeMA), the National Museum of Modern and Contemporary Art, Korea (MMCA), and the Istanbul Biennial. As a curator, she has organized exhibitions at SeMA, de Appel (Amsterdam), the National Asia Culture Center (Gwangju), Seoul Art Space PS333, and elsewhere, including The Internet Barnacles (G Gallery, Seoul, 2025), Sad Captions (SeMA Bunker, Seoul, 2024), and Squish! In the Forest (Insa Art Space, Seoul, 2024). Her curatorial practice is grounded in transnational exchange. She curated Autophagy (de Appel & Beautiful Soup, Amsterdam, 2022–2023), a joint program between DutchCulture and Arts Council Korea, and Convening the Untitleds (SeMA, Seoul, 2023–2024) with the Queensland Art Gallery | Gallery of Modern Art and the Singapore Art Museum.
Chang was a Fulbright Scholar from 2024 to 2026. She was selected as an Emerging Curator by SeMA, a Young Visual Art Professional by the Korea Foundation for International Cultural Exchange, and an artist nominator for the 2026 Sovereign Asian Art Prize. Her research and projects have been supported by the Rockefeller Archive Center, Arts Council Korea, the Seoul Foundation for Arts and Culture, and the Korea Foundation, among others. She holds an MA in Contemporary Art Theory (Distinction) from Goldsmiths, University of London, and a BA in Art Studies (Art History and Theory) from Hongik University, Seoul.
2026 © Eunha Chang