Eunha Chang – Writing_Cards
Essay · 2026
To Inscribe in the Ruins: Mimicry and Malware in the Work of TJ Shin and Shu Lea Cheang
Issue #4 MINDSCAPES · Contemporary Lynx (London)
After ruin, rather than gauging a hopeful future, or despairing at the cruelty that endlessly postpones it, I ask what can be inscribed. From the preserved bog bodies to the poetry that reawakens them, I trace how our collective wounds might take form as inscriptions rather than scars, or how we can refuse the very structures often anticipated to be bridged.
Essay · 2025
The Internet Barnacles
Yehwan Song solo exhibition · G Gallery (Seoul)
Drawing on Plato's Glaucus to question digital subjectivity how we cluster in standardised online environments, filtering algorithmic streams while becoming entangled in platform ecosystems.
Art Criticism · 2025
Huen: Ian Ha & Sven Teufer
Pipe Gallery (Seoul)
Variations of subtraction and addition in the grammar of traces. On Ian Ha's ornamental excess through sagunja painting and Sven Teufer's poetics of renunciation through minimal intervention.
Curatorial Statement · 2024
Squish! In the Forest
Insa Art Space & Arts Council Korea (Seoul)
Post-sexual Futures: Toward Queer Non-humanisms. Artists: AFSAR × DAVRA, BARE, Ciwas Tahos, Yagwang.
Curatorial Statement · 2024
Sad Captions: Everything Has Been Washed Away; I Can Only Write 'Sad'…
Seoul Museum of Art, Bunker (Seoul)
Artists: Lee Wen, Charmaine Poh, Jieun Uhm, Leesop Cho, Cha Yeonsa, Suyon Huh.
Curatorial Statement · 2023–2024
Beings Swimming Backstroke towards the Waterfall
Seoul Art Space, PS333 (Seoul)
Artists: Zheng Bo, Leesop Cho, Tang Han, Park Wunggyu, TJ Shin, Woo Minjung. Co-curated with Maria Markiewicz, Shi Sun.
Essay · 2023–2024
Fractured Lenses, Convening the Untitleds
Seoul Museum of Art (Seoul)
Convening the Untitleds (Eunha Chang, Teng Yen Hui, Ruha Fifita). As part of The Part In The Story Where Our Accumulating Dust Becomes A Mountain.
Art Criticism · 2024
Self-Hypnosis, Self-Affirmation, Self-Division, and Being 자기 암시, 자기 확언, 자기 분열 그리고 존재하기
Leesop Cho · Seongbuk Young Art Space (Seoul)
On the artistic practice of Leesop Cho, exploring self-hypnosis, affirmation, and division as modes of being.
Art Criticism · 2024
A Typology of Emotion and Place: The Painting World of Ellie Choi 감정과 장소의 유형학: 최유정의 회화 세계
Ellie Choi · Seongbuk Young Art Space (Seoul)
On the paintings by Ellie Choi, tracing typologies of emotion and place across her practice.
Experimental Writing · 2023
Tangled and Blurred Words, Fragmented and Scattered Thoughts
Forkingroom 2023 · Post Territory Ujeongguk (Seoul)
An experimental writing piece exhibited at Forkingroom Adrenaline Prompt, exploring meaning of language, poetry and thought in response to AI models.
Curatorial Statement · 2022–2023
Autophagy: Eating in Its Destructive and Creative Nature
Beautifulsoup Online & de Appel (Amsterdam)
Artists: Alaa Abu Asad, Chulayarnnon Siriphol, Mooni Perry, TJ Shin. Supported by Arts Council Korea & DutchCulture.
Art Criticism · 2022
A Malfunctioning Ignition of Despair: On the 'Twice-Fallen, Unkillable, Unruly Woman' 오작동하는 절망의 시동장치: '두 번 떨어진, 죽일 수 없는, 불온한 년'에 대하여
Mooni Perry solo exhibition: Betel Nut Beauty 檳榔西施 · CR Collective (Seoul)
On Mooni Perry's solo exhibition, examining the 'twice-fallen, unkillable, unruly woman' and the malfunctioning mechanics of despair.
Essay · 2021
Invasive Species Behind the Notoriety: Multi-directional Narratives for Abundant Futures
Asia Culture Center (Gwangju)
A research paper for research-based curatorial project examining invasive species introduced to Asia as food commodities before and after World War II.
Curatorial Statement · 2021
Portals, Teleportation
Ankara House & Büyükdere35 Art Gallery (Seoul & Istanbul)
Artists: Eda Sütunç, Minhee Kang. A Korea-Turkey culture exchange employing the portal to teleport existence between Seoul and Istanbul.